César Saëz´s works, for the most part, consist in art-interventions in public spaces. These are sculptures, installations, or actions performed in the public domain, be it a street corner, a public square or a park. These urban interventions try to address the public, and their social interaction in reference to that space. More specifically, they question the symbolism, or the politics in that space. These actions are unauthorized, anonymous, they spontaneously appear, and disappear, they are ephemeral and harmless.

Having worked extensibly in different cities (e.g. Bogóta, Mexico, Port-au-Prince, Helsinki, Paris, Havana, Berlin, Buenos Aires, Hamburg), new work emerges trying to deal with a much larger geographical area (beyond a street corner). Lately, this artist is exploring the sky, as a canvas for expression, for visual interventions that can be contextualized in a larger region.

Frame of Fire at the Main Square, in Mexico City, 1995

The Louvre on Red, Paris 1999

Mirage, Quebec City, 2004

Nada, Serbia 2004

To see CV click hereCVcesarsEng.html

For current project see web page: Geostationary Banana Over Texas